REISER + UMEMOTO

  Presentation
Exhibition
Resources

(USA)

Jesse Reiser (*1958)
Nanako Umemoto

 

 

 
Presentation
       
 
     
The collaboration between Jesse Reiser and Nanako Umemoto is built around a critical reflection about spatial and temporal concepts. This leads them, thanks to the newly available methods, to use numerically-controlled tools while simultaneously introducing a principle of generic discontinuity. The Yokohama Port Terminal asserts itself as a sheet, an expanse borne of a topological understanding which endows this vast covering structure with the dynamic resemblance to a wave. The architects profess the worth of this chaotic order, this notion of complexity, in which a more flexible style of architecture can generate specific order and thus increases its integrational capacities. Such formal accidents can generate novel programme possibilities, as we've witnessed in the Cardiff Bay Opera House or in the space-covering experiments used for the Kansai Library. The concept of urban shapes or spaces Bucharest 2000 remains an open fields which refutes the traditional "finitude" notion associated with the architectural object. Architecture is asserting itself as a work of incorporation.
   
       
       
       
     
         
 
       
 
Exhibition
       
  Reiser  archilab        
           
     
JESSE REISER + NANAKO UMEMOTO
   
           
     

The past thirty years have seen a wholesale devaluation in the force traditionally accorded to the discipline of architecture. The perceived failure of modernism has given rise to a variety of tendencies, all of which would deny the efficacy possible in architectural design.(...) We do not accept these arguments for the end of modernism, but rather work within a new, expanded notion of what modernism might become. We perceive the lapse which has occurred in the past decades as the consequence of a lack of adequate paradigms by which to drive the project forward. Just as the sciences have experienced a sea change due to models of complexity first developed in the mathematics of dynamical systems, we too benefit from their revolutionary employment in architecture.
A parallel development already underway in the building industry would replace strict confines of construction within defined scales (interior, building, urban, regional) for a more lateral traverse across these scales. We understand the scalar and organizational hierarchies of architecture not as given and separate, but rather as rigorously connected and co-dependent in complex and differentiated ways. This interconnectivity has far-reaching effects, and is especially integral to an understanding of a new urbanism.
Architecture must reengage the urban scale of the city, not simply to repeat existing patterns, but rather as a comprehensive project for the envisionment of coherent public space. Our aspiration is to work with the city to develop and implement building proposals of real and lasting value. We feel that strong and clear design can and should mobilize the necessary planning bodies to construct new urban space. Historically, the greatest examples of urbanism at this scale have prioritized design. All too often design has followed on plans generated by committees with the unfortunate consequence of the result being piecemeal, non-integrated, and therefore less-effective.
Design, however, is not an isolated discipline. While we as designers operate primarily in the realm of the qualitative, we rely heavily upon the quantitative input supplied by established planning bodies so as to assure our work's viability in the complex milieu that is public space.(...)
Our work addresses the imperative for integration in a fundamentally different way. It is our contention that the planning of generic and pre-established programs vitiates the very reason for their implementation in the first place, for rather than responding to that which distinguishes one area from the next, this mode of operation erases difference altogether. For us, all space is singular and unique and must resist homogenizing influences of the reductive mechanisms of simple, unquestioned standardization. This is not a rejection of standardization altogether, but rather a call for its modulation within a larger continuum.

Jesse Reiser, Nanako Umemoto

   
       
     
     
     
           
     
Yokohama Port Terminal - Yokohama, Japan, Competition 1995
   
           
     

The proposal answered the inherent duality between global systems of transport and exchange and the condition of the specific local sites and thus the necessity to encompass the general functional imperatives of the cruise terminal (as a smoothly functioning link between land and water transport) and the specific civic possibilities suggested by the pier configuration itself. Following from this the project was conceived as an incomplete or partial building, in recognition of the fact that such program frames thresholds in two distinct yet overlapping continuums. Consequently, completion, both physically and virtually, is effected only periodically; in the linkage of terminal to cruise ship or in the closure of the completed urban event. This large shed, though affiliated with its 19th century antecedents, differs in the sense that this proposal engenders heterogeneity through selective perturbations and extensions of the structural frames. This transformation yields a complex of spaces smoothly incorporating the multiple programs.

   
  reiser + umemoto image    
       
  reiser + umemoto image    
       
  reiser + umemoto image    
       
           
     
Kansai library - Kansai, Japan - Competition 1996
   
           
     

The Reiser+Umemoto's proposal addresses the apparent paradox surrounding the universal proliferation of data, the presumed placeless-ness of information and the persistent necessity, nevertheless, to find a definition for this condition in architecture. The proposal embodies also two distinct yet related imperatives: to fulfill the explicit programmatic criteria of the library while developing implicit spatialities that would foster the new and unforeseen irruptions of program brought about by the "information zone." The Library Building is comprised of three ramped slabs suspended by cables from a prestressed steel roof carried on four steel piers. The slabs are so formed as to maximize continuity and multiple interconnection among the public spaces and levels. Topological deformations: cuts, mounds, ramps, ripples, and stairs, render the library a programmed landscape that has the capacity not only to fulfill the smooth functioning of the major programs, but also to foster the emergence of new and unanticipated configurations of social space.

   
  reiser + umemoto image    
       
  reiser + umemoto image    
       
  reiser + umemoto image    
       
           
     
New tectonics for the Graz music theater - Graz, Austria - Competition 1998
   
           
     

The music theater is comprised of two interlocking building forms, each corresponding to the major programmatic functions of the institution: education and performance. The educational functions of the music theater are housed in a steel and glass plinth which receives the flows of students and faculty from the park and the college beyond. The civic functions of the auditorium and its affiliated spaces are housed within and under a concrete structure conceived as a forthright industrial space for the production of civic events. A long processional stair pulls the urban organization up through the body of the building, into a larger foyer and then into the main hall. Upon the close of a performance, the audience exits out and down the same processional and moves back into the city, thus completing the cycle of civic performance.

   
  reiser + umemoto image    
       
  reiser + umemoto image    
       
  reiser + umemoto image    
       
           
     
East River Front - Manhattan, New York, 1998
   
           
     

The focus of the proposal centers on the development of a new linear urban morphology that would both propose and incorporate the highly diverse vehicular, pedestrian, commercial, and cultural infrastructures beginning from the tunnel entrance of the FDR Drive at Battery Park in lower Manhattan continuing north along the eastern shore to Randall's Island. The project thus developed into a twisting, weaving system that could continuously negotiate the rises and falls of the FDR as well as incorporating public programming. The tactic of Reiser+Umemoto was to tap into the already existing roadway, allowing the proposal to occupy the zone of transition between the high speed of the FDR and the low speed of the city grid. Rather than producing a collection of isolated objects, they seek to organize series of moments structured within a continuum.

   
  reiser + umemoto image    
       
  reiser + umemoto image    
       
  reiser + umemoto image    
       
  reiser + umemoto image    
       
  reiser + umemoto image    
       
           
         
 
       
 
Resources
       
 
 
Biography
       
     
REISER + UMEMOTO RUR ARCHITECTURE PC
Jesse Reiser (1958)
1981 - Graduate of Architecture, Cooper Union, New York.
1984 - Master of Architecture, Cranbrook Academy of Art.

Enseignement :
1998/1989 - Columbia University, New York ; Architectural Association, Londres.
< Stadelschule, Francfort; Berlage Institute ; Kyoto University ; Yale University ; Princeton University.
Nanako Umemoto
1975 - Graduate of Urban Design, Osaka.
1983 - Graduate of Architecture, Cooper Union, New York.
Enseignement
1998 / 1997 - Columbia University, New York.
< Berlage Institute ; Harvard University ; Columbia University ; Yale University ; Tulane University, Illinois Institute of Technology.
1984 - Fondent Reiser + Umemoto RUR Architecture PC à New York.

Principaux projets et réalisations :
1998 - " Graz Music Hall " Autriche (concours) ; " East River Parkway " New York ; " Cousin Apartment " (réal.), New York.
1997 - " Spence Center for Women's Health " Tyson's Corner et Bethesda (réal.) ; " IIT, Student Center " Illinois ; " Brasserie, Seagrams Building " New York.
1996 - " Kansai Library " Kansai (concours) ; " Bucarest 2000 " Bucarest (concours) ; " Spence Center for Women's Health " construit, Wellesley ; " Sklar Residential Loft " (réal.).
1995 - " Geodetic Bridge, Cohen Residence " New-Jersey ; " Yokohama Port Terminal " Yokohama (concours).
1994 - " Cardiff Bay Opera House " Ecosse (concours).
1993 - " Appartement et mobilier de Leonard Brechner " New York (réal.).
1992 - " Croton Acqueduct " Chicago (projet) ; " Boros Residence " ; " H Jadow Residence " ; " Levinson Garden " New York (réal.).
1990 - " Venice Gateway " Biennale de Venise (concours) ; " Aktion Poliphile " Wiesbaden.
1989 - " The Icarus Project " Kyoto (réal.) ; " Japan Tex Exhibition " Tokyo (concours).
*1988 - " Shadow Theater " New York (projet).
1987 - " Métier à Aube " New York (réal.).
Expositions récentes
1998 - " Relations Between Contemporary Architecture and Painting " Bregenz, Autriche ; " TransArchitecture " Paris, Londres, Tokyo ; " Global Cities " Ann Harbor.
1997 - " Reiser + Umemoto, Solid-State Architecture " Berlage Institute, Amsterdam.
   
           
 
Bibliography
       
     
Principales publications de REISER + UMEMOTO RUR ARCHITECTURE PC
1998 - " Chum : Computation in a Supersaturated Milieu " J.Reiser + J.Payne, Kenchiku Bunka, Tokyo (à paraître).
1995 - " Computer Animism : Cardiff Bay Opera House " Assemblage n°26 ; " Post-Contradictory Practices " catalogue Architecture Triennale, Nara (Japon) ; Space (Séoul).
1993 - " Semiotexte Architecture - Façade Writing " Semiotext(e), Los Angeles.
1991 - " Hynerotomachia Ero/Machia/Hynia, House " Assemblage n°13, Cambridge.
Bibliographie sélective
1998 - " Reiser + Umemoto's Kansai Library " Archimade (mars) Lausanne.
1997 - " Architecture After Geometry " Architectural Design, Londres ; " The Water Project " City Speculations, Princeton Architectural Press, New York.
1996 - " Reiser + Umemoto : Cardiff Opera House " Architectural Profile (juillet) Thailande ; " Blob Tectonics " Any Magazine, New York.
1994 - " The New East Cost Movement " Space Design (août) Tokyo.
1992 - " Machine(s) d'Architecture " catalogue Fondation Cartier, Jouy en Josas.
1990 - " Reiser + Umemoto " A+U (novembre) Tokyo ; " Globe Theatre Project " in Violated Perfection, Rizzoli, New York ; " Aktion Poliphile " catalogue, Francfort.