Archi-Tectonics
|
|
TRANS-FORMAL ARCHITECTURES: GLOBULES, TEXTURES AND TRACES G1 - GLOBULES: - Thing-shapes, or spatio-temporal individuations, corporeal occurrences with specific material qualities, almost smooth surfaces, and vaguely defined edges. - (Globule: a tiny ball or globe, esp., a drop of liquid, Globoid: shaped somewhat like a globe or ball). T1 - TEXTURES: - A self-similar system where the micro resembles and informs the macro. (Texture: woven fabric, the arrangement of particles or constituent parts of any material) T2 - TRACINGS: - Phoronomic shapes, formations developed out of tracings of gradual perfection, from which new constructions grow (phoron: a combining form meaning bearer, producer) In the current fast-forwarded process of globalization, architecture is slowly sucked into the turbulent flux of changing urban conditions- conditions which are now no longer defined by local urban but by the increasing forces of global economies, immigration patterns and electronic communication infra-structures. This globalization of our living environment is creating external/internal stimuli which calls for an intricate response mechanism in order to accommodate/integrate these cultural shifts. The realization of this complexity, with its multi-layered systems already calling for a new spatial order, is manifesting itself in ways which are looking to science to discover ways of bringing resolution/understanding to this global existence ; architecture has the role of identifying this globality, extracting and transforming its many systems into a spatial construct. With information technology now linked so closely with the built environment, architects have become the translators of this information. For architecture, the study of science, like philosophy, mathematics or microphysics, will become of critical importance, causing the transformation from a mechanistic approach to an organismic, process-oriented approach. A shift in orientation has developed, which began in science with relativity theory, followed by quantum theory and systems theory. This organismic approach describes the notion that an organism is characterized by its immanent patterns of organization. This is similar to the notion of spirit also described by Leibniz as monads and by Hegel as "Begriff" or Absolute ideas. These phenomena occur on all levels : in society, in behavioral processes, as well as in nature. The question which often comes up - does this move? - is an expression of the mechanistic way of thinking which still pervades; the organismic approach is process-oriented; it develops a space in the way a scientist works- it is based on research : the current global forces will define the behavior of the system (urban textures) and finally distill the outcome (archi-tectures) - not moving but moved- not a machine (Corbusier's machine for living) but a research which results in a set of parameters which are traced, graphed and mapped in order to reflect the complex behaviour of urban forces, programmatic elasticity and the multiple layers of current modern architectures. Winka Dubbeldam |
Millbrook
Residence Millbrook (NY), USA, 1996-1998 |
|
Weaving itself across, through and into its hillside, the house links the domestic interior with the physical and communications networks that reach to a larger territory beyond. Thought as a knot, the house has been configured as a field of three-dimensional movement and intertwining spaces that retrace the topography of the hilly landscape. A path winds up through the site and continues through the interior, organizing upward and downward movement as it weaves spaces and program together. Workspaces transform and flow smoothly into living spaces and, on the lower level, a media room opens the house to information. Set into the sloping ground are new concrete earthworks-steps and fifty-ft. long flower beds, each with a single type of plant to give the sense of endless extension. Likewise, a long, skinny lap pool stitches together inner and outer realms. Traces of a former house are maintained, including a concrete slab foundation and a stone fireplace and chimney. Recessed concrete plates extend to accommodate the elongated volume of the new house. The structural system joins heavy concrete elements to a light steel framework. |
Wooster
Street Loft New York, USA 1998 |
|
Located on the lower west-end of Manhattan, a former six-story warehouse building will be renovated with an additional three-story penthouse on top. Adjacent to the old brick-faced building, a new residential building of 11 stories will be erected. Renovated, the warehouse building will be completely gutted out, enlarging the interior space for the introduction of an open loft plan. Large, tree-like wood columns inside allow for an addition of the penthouse structure in glass and steel. The setback code of New York City is here taken as a design feature rather than a restriction ; this "sky exposure plane" as it is called, is introduced as a tilted glass plane, which separates the penthouses from the planar street facade. These two glass facades then inflect on each other, blurring their singularity and allowing for a folded spatial condition. The ground floor will be occupied by retail space and an art gallery, intended to foster a more active street and ease the transition from the former industrial area to an integrated residential neighborhood. |
Archi-tectonics
/ Winka Dubbeldam 1992
Master of Science in Advanced Architectural Design, Columbia University,
New York Enseignement Principaux
projets et réalisations Expositions
récentes Principales
publications de Winka Dubbeldam Bibliographie
sélective |