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Francesco Careri (1966), Aldo Innocenzi (1964), Romolo
Ottaviani (1967), Giovanna Ripepi (1965), Lorenzo Romito (1965), Valerio
Romito (1971)
This hybrid collective, founded in Rome in 1995
is defined as an urban art laboratory. In 2000,
Stalker presented Transborderline, a habitable
structure made of barbless barbed wire symbolizing
a three-dimensional frontier, shown
in several exhibitions as the 7thVenice Biennal
or Manifesta 3 in Lubljiana. In France, in 1997,
the group exhibited at the Visual Arts Institute
Gallery in Orleans, then at the Arc en Rêve
Architectural Centre in Bordeaux in 2000. In 2001,
Stalker took part in the exhibitions Paysages
d’entre villes/Intercity Landscapes at the Zadkine
Museum in Paris, Libérez Beaubourg/Free
Beaubourg at the Pompidou Centre, and the GNS
exhibition held at the Palais de Tokyo in 2003.
In preferring “architectural actions”, Stalker
focuses its interest on the city and everything
that forms its abandoned and disused spaces
and waste areas. It suggests to the public
various walks through “urban voids”, and thus
criss-crosses, Rennes, Milan, Miami or Berlin.
Close to the theories of the Internationale
Situationniste, Stalker creates a map based on
residual places left over by galloping urbanism.
By means of the above-mentioned methods, the collective proposes a reverse
reading
of a network which forms an architectural project:
the urban mass turns into blocks separated by
all the many channels of marginal zones devoid
of all functionalism. Since May 1999, Stalker and
the Kurdish community in Rome have been
sharing a building called “Ararat”. The group
is thus experimenting with a new form of public
space based on accommodation and hospitality.
Since 2001, Stalker promotes a research network
called the Osservatorio Nomade.
This contributes to the creative evolution
of territories through crossed fields of planning,
experimentation and educational programs
in relation with local inhabitants. |